
Tikkun: For the Cosmos, the Community, and Ourselves, on view Feb 3, 2022–Jun 5, 2022, presents works by more than twenty-five Bay Area–based contemporary artists reflecting on the Jewish concept of tikkun (Hebrew for “to repair”).
Tikkun: For the Cosmos, the Community, and Ourselves, on view Feb 3, 2022–Jun 5, 2022, presents works by more than twenty-five Bay Area–based contemporary artists reflecting on the Jewish concept of tikkun (Hebrew for “to repair”).
4×8-bridges is now LIVE, featuring twenty-one galleries for this month. Patricia Sweetow Gallery is excited to present a solo exhibition of oil paintings by Cornelia Schulz, 2021-2018.
Unsurprisingly, Broxton’s work sold out quickly. With excellent demand for his work, his May 2022 solo show with Patricia Sweetow Gallery in San Francisco has had to be pushed back.
In this moment of radical inclusiveness — finally — those distinctions seem sort of silly, as though a medium could ever be a greater determinant of an artwork’s value than the ideas that drive it (it’s not).
At the booth of Patricia Sweetow Gallery, Demetri Broxton’s Everlast hand-embroidered boxing glove sculptures are dazzling fairgoers.
Like a one-two punch, you’ll be stunned by the boxing glove sculptures by Demetri Broxton at Patricia Sweetow Gallery’s booth.
Demetri Broxton’s pieces here are boxing gloves adorned with a variety of items. The pieces are shown by Patricia Sweetow Gallery (San Francisco).
Although Covid-19 has left us wary of touch, life is returning to the streets, hungry for the fruits of community.
Patricia Sweetow Gallery is honored to announce that two stellar ceramic sculptures by Tony Marsh, Crucible and Cauldron, have been formally acquired by the Painting & Sculpture Accessions Committee of the San Francisco Museum of Modern Art for their Permanent Collection!
PATRICIA SWEETOW GALLERY is excited to announce our participation in UNITITLED, ART Miami Beach 2021, Booth #C57. Exhibiting artists are Sarah Amos, Demetri Broxton and Ramekon O’Arwisters, with a debut performance by Jefferson Pinder.