Broxton often titles his pieces with phrases from hip-hop or rap lyrics. For example, Worth the Weight is also the title to the first track in Nigerian-American musician Jidenna’s 2019 album 85 to Africa,[10] an album described as “a trip through the African diaspora that verges on sonic cinema.”[11] Broxton beads the text onto the boxing gloves using Czech or Japanese glass beads. Czech glass beads were introduced as trade goods to the indigenous people of North America and Africa by European colonialists and slave traders, respectively. The new material was quickly absorbed into traditional methods of making in both cases, taking on new meanings within different cultures.

Joachim Bandau was just over thirty years old when he began to forge the body of sculptures and drawings that marks a distinctive phase in his early practice. In 1967, he had begun the creation of his amorphous, vaguely humanoid sculptures built up from mannequin segments in combination with then-new industrial materials, and already by 1974, he announced the abrupt end of this production in order to move into a different direction.

we experience works by artists examining the mechanisms of gadgets, scientific instruments, and computer technologies to reveal the internal and external systems that help shape society

  by Julia Couzens Conceivably, the preeminent sense of Joachim Bandau’s deeply affecting watercolor paintings is blunt force silence.  Their grave and resonant quiet embraces stillness.  Water, paper, a single pigment and Japanese brush are the components Bandau uses to construct his work.  Without texture, visible brushwork, or compositional fillips and inventions, his paintings are […]

     Glass Breakfast, Amalia Galdona Broche ︎ Amalia Galdona Broche, Lexington Q&A Ian Carstens Amalia Galdona Broche is a multidisciplinary artist working in fibers, sculpture, installation, and time-based mediums. Broche creates in a labor-intensive, maximalist style that employs knotting, tearing, draping, and coiling techniques alongside traditional and modern technologies. She draws inspiration from […]

In this time of Zoom and Instagram, it’s as if we are flying above our own lives, bodiless viewers scanning bodiless things. Photogenic as their work is, seen in real life, Amos’s dazzling textile fabrications and Marsh’s mesmerizing vessels are primal entities — embodiments of energy, cracking live and urgent – formed by the internal relationships of their innovative processes and the imperiled region of material awe.

In the middle of the main hall, a bright orange 1969 Dodge Charger sits on his nose in a sandbox. This work by Hank Willis Thomas, founder of For Freedoms, is a life-size copy of car ‘General Lee’, the protagonist of the popular 1970s TV series The Dukes of Hazzard .

    Overview Collection Information Size: 7 Items wav files (7 hr., 12 min.) Format: Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 7 hr., 12 min. Summary: An interview of Tony Marsh conducted 2009 September 10-11, by Mija Riedel, for the Archives of American Art’s Nanette […]