Posted on 29 November 2017. by Julia Couzens If anyone understands the hugely plastic and seductive physicality of paint, it is Cornelia Schulz. Troweled slags of cadmium yellow, puckered splots of minty green, and regressive planks of flat black collide, slip, slide, splat, and skid into the chunky-luscious concoctions that constitute Schulz’s new paintings […]