Linda Sormin Linda Sormin explores vulnerability, upheaval and change through sculpture and site-responsive installation. Born in Bangkok, Thailand, she immigrated to Canada with her family at the age of five. After working in community development for four years in Thailand and Lao PDR, Sormin studied ceramics at Andrews University, Sheridan College and Alfred University (MFA […]
With clay and glaze, Miles reminds us that we are sensate, animal beings in a physical world. We don’t just look at his sculptures. We use them. In our bending and stooping and peeking, we fit ourselves into his corpulent, bristling forms, discovering how art communicates.
The Joan Mitchell Foundation announced today that thirty-seven artists were selected to participate in its artist-in-residence program at its center in New Orleans.
Posted on 21 January 2020. by David M. Roth Brad Brown: Clockwise L to R: Piece 308 (Untitled), 2018, oil, basswood, plywood, brads; Piece 69 (Itch), 2004-2012, oil, canvas, masonite; Piece 298 (Untitled), 2012-2018, oil, acrylic, walnut ink, plywood, brads; Piece 170 (Lascaux Thought Balloon), 2004-2017, oil, canvas, masonite, plywood, screws. 12 x 12″ ea. […]
If you’re looking for the works that pack the most coloristic punch in a small package at the current edition of UNTITLED, ART in San Francisco, you could do worse than to spend some time with San Francisco artist Ramekon O’Arwisters, at San Francisco dealer Patricia Sweetow’s booth.
All of these ceramic works are put through multiple stages of kiln firing: glazed then fired, then, possibly, exploding or breaking apart, then being fired in the kiln again.
Markus Linnenbrink: Little Journeys and Cosmic Buckshot by Julia Couzens In the Studio: The Making of HELLOIMYOURNEWTREE Markus Linnenbrink’s dazzlingly seductive work functions like painting, but it isn’t. Working with epoxy resin, wooden supports, pigment, and a router mobilized by two joysticks, Linnenbrink constructs objects that examine both painting and sculpture. He […]
This dense show of large prints on felt, titled “Chalk Lines,” was curated by Barbara Takenaga, a painter who shares Amos’s talent for voluptuous, galactic compositions.
CUE Art Foundation is pleased to present Chalk Lines, a solo exhibition by Sarah Amos, curated by Barbara Takenaga. Amos, a Tamarind Master Printer, works with large-scale collagraph prints on felt, built up in layers and adorned with hand-stitching and appliqué.
Gallery October 14, 2019 Cynthia Close Meet the New Face of Printmaking “This is your life, Australia style,” jokes artist/master printmaker Sarah Amos in an undeniable Aussie accent as she introduces herself to the audience in the packed screening room on the second floor at Burlington City Arts. Her monumental, genre-bending collograph prints representing the last 5+ years of […]