Patricia Sweetow Gallery is honored to announce that two stellar ceramic sculptures by Tony Marsh, Crucible and Cauldron, have been formally acquired by the Painting & Sculpture Accessions Committee of the San Francisco Museum of Modern Art for their Permanent Collection!
PATRICIA SWEETOW GALLERY is excited to announce our participation in UNITITLED, ART Miami Beach 2021, Booth #C57. Exhibiting artists are Sarah Amos, Demetri Broxton and Ramekon O’Arwisters, with a debut performance by Jefferson Pinder.
Tradition Interrupted explores how artists weave contemporary ideas with traditional art and craft, on view October 9, 2021 – January 23, 2022 at the Susquehanna Art Museum.
“I often work with local communities to create structures that hold objects that tell other people’s stories. “
Debut at Untitled Art Miami of Monumental, directed and performed by Jefferson Pinder
Artists are nominated by art curators, scholars and former fellows, and then selected by a panel of art experts.
In Lien Trương’s painting From the Earth Rise Radiant Beings (2021), from which this exhibition draws its title, the yellow woman and her sisters are given new lives and representations, their silhouettes only providing a suggestion of their forms.
Arts & Culture By Whitney Hale and International Sculpture Center Aug. 5, 2021 LEXINGTON, Ky. (Aug. 5, 2021) — Recent University of Kentucky School of Art and Visual Studies graduate Amalia Galdona Broche is one of 11 students awarded the prestigious International Sculpture Center‘s Outstanding Student Achievement in Contemporary Sculpture Award for 2021. The International Sculpture Center (ISC) established the annual award program in 1994 to recognize young […]
ByMaria Rosaria Roseo Italiano (Italian) Amalia Galdona Broche is an American artist originally from Santa Clara, Cuba. She holds a BFA and a BA in Sculpture and Art History from Jacksonville University in Florida. Currently, She lives in Lexington, Kentucky, where she is pursuing an MFA in Visual Studies at the University of Kentucky. Through textiles, Galdona […]
In 1889, Paul Gauguin stood by the vast ceramic display at the Universal Exposition in Paris and lamented the fact that “out of ten educated persons, nine will pass in front of this section with an extreme indifference”.