The Fine Arts Museums of San Francisco today announced the acquisition of 42 works of art by contemporary Bay Area artists, including Demetri Broxton and Ramekon O’Arwisters.
To new and long treasured friends, we’re looking forward to meeting and greeting you in Los Angeles! PATRICIA SWEETOW GALLERY is honored to announce our new location at 1700 So. Santa Fe Avenue, #351, Downtown Los Angeles. We’re excited to be in the company of such luminaries as Vielmetter Los Angeles, Nicodim Gallery […]
January 21, 2018 by Press Features A Search for Identity See Amalia Galdona Broche’s sculpture in WTP Vol. VI #1 “The Search for Identity series started by looking back over my childhood, among the decaying infrastructure of a Cuba frozen in a revolution long past, to understand how my generation came to its present form. But my generalized sociopolitical […]
Fierce and Fantastical Experiments in Ceramics: the ceramics-focused Earth Oracles is a garden of earthly delights, with sumptuous glazes and a mastery of the medium on proud display. By Sarah Rose Sharp | June 12, 2022 TORONTO — When ceramic artists place their hands in clay, they are echoing an expressive gesture that has been with […]
The Bay Area exhibition schedule is back in full force!
We are pleased to announce Ramekon O’Arwisters featured in Collective Arising: The Insistence of Black Bay Area Artists at the Museum of Sonoma County, curated by Ashara Ekundayo and Lucia Olubunmi R. Momoh
We’re very honored and excited to announce Linda Sormin’s sculpture Ta Saparot is one of the featured new acquisitions in the upcoming exhibition, This Present Moment: Crafting a Better World at the Smithsonian American Art Museum, Renwick Gallery.
The paradoxical combination of aesthetically pleasing adornments with serious subject matter is echoed in Demetri Broxton’s Save Me, Joe Louis
“The most impressive work in the show is Linda Sormin’s gargantuan agglomeration of tangled clay tubes, numerous video screens of varying size, a section of a spiral staircase, a dragon head used in Chinese festival dances, and detritus, arcing through the air within and around a zigzag metal framework.”
“Truong believes that artists are multidisciplinary by default. She impresses this upon her students and makes it particularly evident in her work. She combs through historic archives and delves into the Western art historical canon, unafraid to bring ideologies such as Manifest Destiny or Abstract Expressionism into her fold.”