REVIEW OF KIM ANNO SAN FRANCISCO CHRONICLE Paintings on aluminum take advantage of reflective surface -Kenneth Baker, Art Critic for the San Francisco Chronicle Saturday, June 12, 2004 Painting as an art endures partly because it shows us things we need to see. To anyone who has followed the work of Kim Anno, her new […]

Pittsburgh Tribune Review by Kurt Shaw   If there is one art exhibition to catch now before it’s too late, it’s the “11th Annual Projects Exhibition,” which is at Artists Image Resource through Jan. 13. As in previous years, AIR, as this North Side fine-art printmaking facility is called, has mounted a year-end review of […]

May 2004 Frederick Hayes at Patricia Sweetow By Mark Van Proyen Ever since the Sept. 11 terrorist attacks, the city has become an emotionally loaded subject for artists. Frederick Hayes’s six untitled cityscapes, executed in ink, graphite and charcoal on thick paper, register an ominous aura of impending menace without pointing a finger at the […]

When canvas is as important as the painting By Kenneth Baker When the term “shaped canvas” came into use, it meant a painting surface eccentric enough to call attention to itself, as the traditional pictorial rectangle does not. Formalist critics briefly saw the shaped canvas as painting’s salvation. It permitted painters breakout artistic moves that […]

Weekend Update February 5, 2003 by Walter Robinson It’s pinups, too — of a sort — at Cohen Leslie and Brown on 10th Avenue in Chelsea, where the engaging 30-something Cologne artist Kati Barath has installed her first New York solo, paintings of Brobdingnagian nursery giants, huggable black bunnies, masked men and hairy Yetis. She […]

GERMANS AT SWEETOW Saturday, October 26, 2002; page E-10 The Patricia Sweetow Gallery has been a pipeline to contemporary German art that might otherwise never be seen in the Bay Area. Sweetow’s current show introduces Joachim Bandau and Kuno Gonschior, two near contemporaries of Gerhard Richter, well known in Europe but new to the West Coast […]

Art in America July 2002 Markus Linnenbrink at Margaret Thatcher Projects By Jonathan Goodman Markus Linnenbrink, a German artist in his early 40s, has become known for creating installation-sized paintings on walls and floors, as well as for more traditional works on canvas. He almost always favors stripes, whose hues blend and comment on each […]

By Robin Laurence November 14th, 2007 At the Surrey Art Gallery until December 16 It’s not quite what you expect to hear when you enter an exhibition of ceramic sculpture. But walk into Linda Sormin’s mixed-media installation, part of Mobile Structures at the Surrey Art Gallery, and there it is, the distinct sound of clay pots […]

Inconsistency pays off Cornelia Schulz’s technical finesse links diverse work By Kenneth Baker Too often artists preparing for a show will worry their work into a false consistency. Bay Area painter Cornelia Schulz has resisted this temptation in her new work at Sweetow. Multiple canvases or panels make up many of the pieces. Schulz frequently […]

International Contemporary Art   No. 71, Fall 2001  Supersize Child By Si Si Penaloza    Art Chicago, Festival Hall, Navy Pier (Closed May 14, 2001)   This year’s international Invitational at Art Chicago featured eighteen innovative contemporary art galleries from around the world, most of which were making their inaugural appearances in the United States. […]