Jacqueline Surdell

Work

Victoria Jang  / Aria I, Soban I / 2019 / ceramic, horse hair, wood, mulberry paper, ramie / 18.5  x 12  x 12 inches

Jacqueline Surdell / Naturally Nasty Goes Dark / 2018 / rope, metal, acrylic / 72 x 120 inches

Jacqueline Surdell / Naturally Nasty Goes Dark / 2018 / rope, metal, acrylic / 72 x 120 inches

Installation View: Jacqueline Surdell, Heavy Dew; Victoria Jang, Aria II

Jacqueline Surdell / Silver Gesture / braided cotton cord, enamel, oil, steel curl-bar / 31 x 23 inches  (79.98 cm x 59.34 cm)

Jacqueline Surdell / Charybdis / braided cotton cord, enamel, stain, 84 inch barbell / 74 x 75 inches

Jacqueline Surdell / Orange 2 / 2018 / Braided cotton cord, steel curl bar, weight / 96 x 60 inches

Jacqueline Surdell / thy Untitled II / 2015 / Braided cotton cord, steel rod, steel armatures / 60 x 60 inches

Jacqueline Surdell / For Scylla / braided cotton cord, enamel, wood frame / 46 x 38 inches  (118.68 cm x 98.04 cm)

Jacqueline Surdell / untitled vii / 2018 / Braided cotton cord, steel rod, steel armatures / 60 x 60 inches

Jacqueline Surdell / Like a Sky Falling Itself / 2018 / Braided cotton cord, steel curl bar / 72 x 60 inches

BIO

Jacqueline Surdell’s multi-dimensional tapestries bring to mind abstracted landscape paintings. Her sensitivity expressing the beauty and complexity of the natural world was acquired during childhood while accompanying her Grandmother, a plein air painter. Those close familial memories influenced her complex psychological terrain between body, making, sanctuary and spirit.

From childhood through college Surdell was a competitive athlete, accustomed to pushing the limits of physical endurance. She approaches her studio practice with the same disciplined resolve. Weaving her wall sculptures demands full body action, employing her body as a weaving shuttle, moving in and out of the warp, with pounds and yards of rope on self-made mural sized looms. Although her material is fiber, her approach is painterly, manipulating her medium with knotted layers, reducing the material to open the structure, draping to create volume and texture.

Jacqueline Surdell, b. 1993, was born in Chicago, Illinois. She received her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2017. In 2015 she received her BFA from Occidental College, Los Angeles, CA.

Press

October 4, 2019
Squarecylinder.com
March 25, 2019
Modern Macramé

News

August 26, 2019
PATRICIA SWEETOW GALLERY